Also it seems I had a few blues left in my stash of fabrics...
I wanted to let the blues sink down to have the lighter shades rise to the top; the nesting tessellating blues subtly meshing and becoming distinct, which alludes to the thoughts and feelings that structure our moods, blue or otherwise.
Initially I was going to quilt it using an orange peel design but decided in the end to have the quilting denser at the bottom with the darker colours, lightening with the mood and colour and thinning out to give the idea of a more settled calmer mood with wavy organic lines. The bottom rows have six rows of quilting each, gradually decreasing to just one in the top row
The binding is a Carolyn Friedlander cross hatched charcoal and for the back I used good old Ikea Nummer print. After washing the texture really is highlighted.
Is it really an "art quilt" I ask myself? What is an art quilt anyway? Maybe a quilted something trying to convey an idea is sufficient?
I have been particularly busy at work this quarter so I'm glad I started early and did manage to finish in time, but the photos certainly leave something to be desired; so I shall update these in the very near future (not in the dark tonight!) to provide a better idea of this quilt.
Be sure to check out the other interpretations of this theme over at The Four in Art blog, publishing sometime on 1 November (depending on time zone) and on each of our individual blogs:
Betty at a Flickr site
Catherine at Knotted Cotton
Elizabeth at opquilt.com
Janine at Rainbowhare
Nancy at Patchwork Breeze
Rachel at The Life of Riley
Simone at Quiltalicious
Susan at PatchworknPlay
Camilla at Faffling